I am nocturnal by habit and happily so. It must be the fox genes. So it made beautiful sense to me when someone in my writing crit group distinguished the idea of night logic and day logic in writing styles. It’s like when I first ‘discovered’ magic realism. I was already writing it, I just didn’t know it had a name. Nor a complex cultural history, emerging between old folklore and contemporary writing styles like a shadow with its own mind and its own experiential narrative running through inky hand-drawn veins.
Night logic loves ambiguity, the fantastical, the subconscious seeping like goblin juice through the fine line between reality and the imaginary hinterland. I could easily slip here into a dense debate of whether there even exists such a thing as objective reality, but frankly I’ve not had enough whisky for that sort of talk.
I don’t dislike day logic. It was a mixed diet of both Ken Loach and David Lynch that turned my teenage self into a cinephile, after all. But in terms of both acute inspiration and self-expression, magic realism and night logic are my default setting. From Maurice Sendak, to Jorge Luis Borges, to Gunter Grass, to Richard Farina – my eclectic voyages into the human soul, into why we are what we are, start and end with the subconscious, with night logic.
All characters written, read or experienced are first and foremost a mystery. A mystery unravelling to themselves and the figurative reader. We show the most about ourselves in what we subdue, in quiet moments, in the black box recorder buried somewhere amongst our vital organs. Some stories just can’t be told with straightforward chronology, with clinical terms. We must wage battle with abstract nouns, mythical struggles and the restless song of the night-time breeze which refuses to explain what that strange sound was, or why our eyes forever play tricks in the dark.
This blog is written as a part of the Magic Realism blog hop organised by Zoe Brooks. For more on the magic realism hop here plus an ebook giveaway.
Further hops…
Flying High with Magic Realism
Magical Realism and a Floating Life
Urban Fantasy and Magic Realism Matter
Serendipity – Down the Rabbit Hole
Real Magic and the Mythkeepers of this World
Facts and Fiction – Historical Magic Realism
Magical Realism Blog Hop Giveaways
Every Little Thing I Read is Magic
What the Masters of Magic Realism Say
Some Brief Descriptions of Magic Realism Books
The Moon & Cannavaria – Children’s Fairytale Short
Extract From Company of Shadows
Magic Realism for Men – No Swords or Flowing Beards Here
A beautifully written blog, and thoughtful too. Happy hopping!
If you “have enough whisky”, surely there can be “ambiguity and the fantastical” in day logic as well as in the between, dawn and dusk logic.
It doesn’t mean literally, I was just using nighttime metaphors. Day vs night logic is just to do with style & is difficult to explain. Though I probably should have tried.
Thanks for this interesting post. It reminds me of Ted Hughes wonderful poem Thought Fox
I don’t know it, so I must look it up!
Kirsty, love the idea of night logic and day logic. I get some of my best ideas at night.
I crave the day that I will return to nocturnal writing, when my young children are older. I miss that feeling.
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Beautifully written and definitely intriguing. I fall into the night logic category as well I suppose. Simple answers just seem to take the magic and fascination out of life. I’d much rather have some play and flexibility and mystery left in the world.
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Well done! And bravo for the goblin juice . . .
Thanks, may the goblin juice be with you.
Day Logic and Night Logic, suddenly that makes sense. I guess I’m Day Logic, with a hankering after Night Logic. If that makes sense!
I also like the night logic and day logic analogy. Would love to do a blog exchange with you!